Lost Children of The Carricks | Defying the Great Irish Famine to Create a Canadian Legacy
A 55 minute documentary of exodus and reunion spanning 168 years
Written and directed by Dr Gearóid Ó hAllmhuráin | Principal of the School of Irish Studies, Concordia University (Montréal, Québec, Canada)
Narrated by Irish poet and playwright Vincent Woods (RTE, Dublin, Ireland)
Produced by Celtic Crossings Productions (Montréal, Québec)
Executive Producer Cecilia McDonnell
Lost Children of the Carricks is the first trilingual documentary film to deal with the Great Irish Famine (English | Irish | French)
Great Famine research has focused mainly on the lifeworlds of Irish immigrants in English-speaking urban North America.
This story focuses on an Irish-speaking community that transitioned directly to a French-speaking world.
LOST CHILDREN bears witness to:
- The mass clearances of Irish-speaking families from the Irish estates of British Foreign Secretary, Lord Palmerston at the height of the Great Famine
- A system of assisted emigration from County Sligo that banished Irish families to die aboard the ill-fated ship Carricks of Whitehaven and
- The Irish legacy in Québec and Canadian history.
A 3,000 Mile Voyage to the Far Side of the Atlantic
Lord Palmerston’s tenants departed a Gaelic world in rural Sligo for a Francophone world in rural Québec, carrying their music and folklore, language and religion to an emerging Canadian nation.
One of nine coffin ships hired by Palmerston to transport 2000 of his surplus tenants to Canada, The Carricks would wreck off the frozen Gaspé coast on the Gulf of St. Lawrence in May 1847. Only 48 of the 173 passengers would reach the shore alive.
The film opens with a haunting sean nós lament and re-enacts an old tradition of leave-taking in the West of Ireland.
Before departing home and clachán, emigrants brought their fire to the fire of a neighbour hoping that one day they would return home to reclaim it and, with it their place in the Old World.
For Patrick Kaveney and Sarah MacDonald’s family from Lord Palmerston’s estate in south Sligo, those embers would flicker in waiting for 168 years.
The Journey
Filmed on location in the Gaspé and in Ireland, Lost Children of the Carricks traces the extraordinary journey of Patrick Kaveney, Sarah MacDonald and their six children from their clachán in Cross, near Ballymote to Québec’s Gaspé peninsula, and the remarkable return of their francophone descendants to Ireland five generations and 168 years later.
The film follows Québécois-Irish historian Georges Kavanagh as he walks in the footsteps of his ‘grandfather’s grandfather’— through the landmarks and seamarks of The Carricks tragedy and finally down the narrow country road to his ancestral village to meet a community of cousins who had assumed that their relatives had all perished in the wreck of The Carricks.
The Experts
This trilingual film is enriched by expert testimony from leading Irish historian Professor Gearóid Ó Tuathaigh (National University of Ireland Galway) and Sligo historian Joe McGowan (Sligo Heritage), and rare archival footage of cultural life in rural Québec during the 1930s.
The Soundtrack
Emotional soundtracks are performed by Canadian grand master Pierre Schryer, Inis Oírr flute player Mícheál Ó hAlmhain, Clare fiddler and composer Joan Hanrahan, Prince Edward Island violinist and composer Kate Bevan-Baker, award-winning Connemara singer Áine Meenaghan, and Clare concertina player and uilleann piper Gearóid Ó hAllmhuráin.
IMPORTANT THEMES
Importance of Trilingual Historical Research
Importance of Family Memory Across Generations
- The story of the Lost Children of the Carricks and the Kavanagh family was passed from generation to generation and, finally, entrusted to 80 year-old Quebecois-Irish oral historian, Georges Kavanagh.
- Kavanagh’s ancestors, Patrick Kaveney and Sarah MacDonald would eventually lose their Gaelic family name.
- Over time, their surname Kaveney (Ó Caomhánaigh) evolved to Kavanagh in rural Québec. This alias would hinder the search for an ancestral home in Ireland five generations later.
Similarities between the Irish Global Diaspora and Human Displacement throughout History
As with displaced and exiled people in the 21st century, the Irish exodus resulted in:
- cultural cleansing
- linguistic isolation
- oppression of religion
- inability to return home
- prejudice and xenophobia
- loss of identity through name change
- stark landscape and environmental changes
- break-up of families separated in quarantine stations and orphanages worldwide
The Twist
After being evicted off of Lord Palmerston’s land in Sligo in 1847, descendants of Patrick and Sarah Kaveney would again lose lands to state expropriation in 1969 – this time in Gaspé, in the New World. Read more here
BACKGROUND
The Great Irish Famine of 1845-1852 was the worst humanitarian disaster in Western Europe during the 19th century. Its global consequences are as tragic as the Jewish Holocaust and the Armenian genocide a century later.
Over one million Irish died and another million were exiled. The population of the Republic of Ireland would never recover. With a current population of 4.8 million, the Republic of Ireland is the only nation state in the world with fewer people than it had in the mid-nineteenth century.
During the famine years of 1845-1852, Canada received approximately 300,000 Irish refugees. In the summer of 1847, over 20,000 would die at sea, in quarantine stations, fever sheds, orphanages and shantytowns across Canada.
While Grosse Île on the St. Lawrence is the largest famine graveyard outside of Ireland and well known, there are sites associated with the tragic été irlandaise (Irish summer) of 1847 scattered throughout Quebec.
Cap-des-Rosiers on the isolated edge of the Gaspé peninsula may be the least known. On May 18, 1847, the brig Carricks of Whitehaven carrying tenants from Lord Palmerston’s estates in the northwest of Ireland sunk after striking a reef near Cap-des-Rosiers.
Of the 173 passengers on board, only 48 reached the shore alive.
DIRECTOR BIOGRAPHY
Writer / Director Gearóid Ó hAllmhuráin is a leading Irish ethnomusicologist, author, cultural historian and award-winning traditional musician.
An endowed professor, Ó hAllmhuráin holds the bilingual Johnson Chair in Québec and Canadian Irish Studies at Concordia University, Montreal and directs the research of several graduate and post-doctoral scholars. He previously held the Jefferson Smurfit Chair of Irish Studies and was Professor of Music at University of Missouri-St. Louis (2000-09).
A prolific writer, Ó hAllmhuráin is the author of Flowing Tides: History and Memory in an Irish Soundscape (Oxford University Press, 2016) and the best-selling Short History of Irish Traditional Music (Dublin, O’Brien Press, 2017).
In addition to hundreds of publications, performances and recordings on Irish music and folklife, Ó hAllmhuráin has lectured in Irish, English and French at European and North American universities, at The Library of Congress (Washington DC) and is a North American correspondent for Ireland’s RTÉ Raidió na Gaeltachta.
Funded by the Québec government, Professor ÓhAllmhuráin’s current research investigates Irish cultural memory, lifeworlds and soundscapes in Québec and Canada since the fall of New France.